![]() ![]() ![]() With your DDJ connected and powered-on, open Applications > Utilities > Audio MIDI Setup - if the Audio Devices window is not visible, click Window > Show Audio Devices.Ĭlick the + icon at the bottom left and select Create Aggregate Device.Ĭlick on the name Aggregate Device and rename it RR+Soundflower. Step 3 - Create an Aggregate Audio Device You can also use other similar applications such as Sound Siphon or Loopback, but those are both paid apps and Soundflower works, and is free, so why not? There is just one extra tool necessary for us Mac users: As this guide is identical for the SB and SB2, I have not created a separate guide for each product - simply substitute "SB" or "SR" for "SB2" anywhere it appears.Įnsure that you are running the latest version of rekordbox, that your drivers and firmware are up-to-date, and that your broadcast software is current as well. Please check the DDJ section of the Knowledge Base for additional tutorials. The instructions provided herein are based around the DDJ-SB / SB2 / SR, and may be different for other DDJ units. This is a complicated subject, as there are so many separate distros for Linux available.This guide is a how-to for streaming using a 3rd party software such as OBS, and many of these instructions may also be applied to other software. You may need to do some additional research on this subject. I cannot confirm if this works, though, as I do not have access to a mac to test this myself. If you’re using a mac, you can change the sample rate by following this guide. From there, the process is the exact same. ![]() Older versions of windows may skip Steps 4 and 5, and right-click on the speaker icon located on the right side of their taskbar, and select “Sound,” or “Properties,” or “Playback options.” I forget exactly what it says, it’s been a hot minute since using a Windows version with this shortcut, but you’ll find it easily enough. The goal is to match the sample rates so that everything will remain in sync for the entire duration of your live stream or recording. If you know how to get to the sound properties of your devices on your OS, this process is more or less the exact same. Setting the sample rate in other Operating systems The difference between 44.1 and 48 isn’t that different you’ll only lose a tiny bit of audio detail, really. This will ensure backward compatibility with the older device, which should support 44.1 at the very least. You will need to set every single device and OBS’s sample rate to 44.1 kHz in this situation. Sometimes, you may encounter an older device that does not support 48 kHz. It may be tempting to set your setting to something higher than 48 kHz, but you will desync if you do.ĭon’t see 48Khz on a device? Switch All of them to 44.1! Instead, you’ll want to direct your attention to the sample rate in OBS Studio and take note of that number. Window Capture More in sync, so you don’t react before the screen shows what actually happened to cause that reaction.In OBS Studio, there are many different source types that capture many different things. That option manages the latency added from capture cards to keep your webcam, microphone, and capture source A source is a media element that is part of a scene. Your first thought might be to adjust the audio sync in the advanced audio properties, but that isn’t really what you need to do, nor should you do. More are usually caused by a sample rate mismatch. It is a powerful free broadcasting software with many features that make broadcasting very easy. ![]() Luckily, these audio sync issues in OBS OBS stands for Open Broadcaster Software. For example, your microphone audio might match up with your lips at first, but there is a noticeable offset from the video an hour into a stream. One of the most common issues that streamers will run into is that their audio would, over time, get out of sync with the rest of the stream. ![]()
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